Rakim

Favored son
Turn in the garden
Shades of one
Sins forgotten

Favored signs to find hope
In the rounds of life
Favored rhymes to find hope
In the sands of life

Favored son
Fence in your heart
Saviored son
Sins forgotten

The Trial

All my senses rebel
Under the scrutiny of their persistent gaze.
It took a lifetime to get here,
A journey I'll never make again.

For those who have accepted the burden of shame,
For the innocent only guilt will remain
And our lives will be forced to accomodate
The perpetrators of our own bastard race.

All my senses rebel
Under the scrutiny of their persistent gaze.
It took a lifetime to get here,
A journey I'll never make again.

I stand accused of thousand and one crimes,
A witness to events that led to this present time.
These traditions which bind our hands and keep us tied
Will never survive the greatest test of time.

Deliver me from those feverish eyes
That threaten to unbalance my state of mind,
For I must confess only to the smallest of crimes.
A sense of guilt. (x4)

Over the course of their career, Dead Can Dance has featured a multitude of members, but two musicians have remained at the core of the band — guitarist Brendan Perry and vocalist Lisa Gerrard. Perry had previously been the lead vocalist and bassist for the Australian-based punk band the Scavengers, a group who were never able to land a recording contract. In 1979, the band changed their name to the Marching Girls, but they still weren't able to sign a contract. The following year, Perry left the group and began experimenting with electronic music, particularly tape loops and rhythms. In 1981, Perry formed Dead Can Dance with Lisa Gerrard, Paul Erikson, and Simon Monroe. By 1982, Perry and Gerrard decided to relocate to London; Erikson and Monroe decided to stay in Australia.

Within a year, Dead Can Dance had signed a record deal with 4AD. In the spring of 1984, they released their eponymous debut album, comprised of songs the pair had written in the previous four years. By the end of the year, the group had contributed two tracks to It'll End in Tears, the first album by This Mortal Coil, and had released an EP called Garden of the Arcane Delights. In 1985, Dead Can Dance released their second album, Spleen and Ideal. The album helped build their European cult following, peaking at number two on the U.K. indie charts.

For the next two years, Dead Can Dance were relatively quiet, releasing only two new songs in 1986, both which appeared on the 4AD compilation Lonely Is an Eyesore. Within the Realm of a Dying Sun, the group's third album, appeared in 1986. In 1988, the band released their fourth album, The Serpent's Egg, and wrote the score for the Agustin Villarongas film El Nino de la Luna, which also featured Lisa Gerrard in her acting debut.

Aion, Dead Can Dance's fifth album, was released in 1990. Also in 1990, the group toured America for the first time, earning rave reviews. The following year, the group was involved in various festivals and theatrical productions. In 1991, the compilation A Passage in Time was released on Rykodisc, making it the first American release of Dead Can Dance music. Early in 1993, the group provided the score to Baraka and contributed songs to Sahara Blue. In the fall of 1993, the group released Into the Labyrinth, which became their first proper studio album to receive an American release. Into the Labyrinth was a cult success throughout the U.S. and Europe. It was followed by another American and European tour, which was documented on the 1994 album and film, Toward the Within. In 1995, Lisa Gerrard released her debut solo album, The Mirror Pool. In the summer of 1996, Dead Can Dance released Spiritchaser and embarked on an international tour.